Over the past decade, the visionary musician Arthur Russell has entered something close to the mainstream.
Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as heâs ever been. Thanks to Russellâs partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russellâs vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. Thereâs the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him.
Now, after ten years of work inside the Russell library, Lee and Knutson bring us “Iowa Dream“, yet another bright star in Russellâs dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russellâs utterly distinct songwriting. And although Russell could be inscrutably single-minded, he was never totally solitary. Collaborating here is a stacked roster of downtown New York musicians, including Ernie Brooks, Rhys Chatham, Henry Flynt, Jon Gibson, Peter Gordon, Steven Hall, Jackson Mac Low, Larry Saltzman, and David Van Tieghem. Musician Peter Broderick makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing.
Several tracks on “Iowa Dream” Russell originally recorded as demos, in two early examples of his repeated brushes with potential popular successâfirst in 1974, with Paul Nelson of Mercury Records, and then in 1975, with the legendary John Hammond of Columbia Records. For different reasons, neither session amounted to a record deal. Russell kept working nearly up until his death in 1992 from complications of HIV-AIDS.
At once kaleidoscopic and intimate, “Iowa Dream” bears some of Russellâs most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s. For Russell, Iowa was never very far away. âI see, I see it all,â sings Russell on the title track: red houses, fields, the town mayor (his father) streaming by as he dream-bicycles through his hometown. Russellâs childhood home and family echo, too, through âJust Regular People,â âI Wish I Had a Brother,â âWonder Boy,â âThe Dogs Outside are Barking,â âSharper Eyes,â and âI Felt.â Meanwhile, songs like âI Kissed the Girl From Outer Space,â âI Still Love You,â âList of Boys,â and âBarefoot in New Yorkâ fizz with pop and dance grooves, gesturing at Russellâs devotion to New Yorkâs avant-garde and disco scenes. Finally, the long-awaited âYou Did it Yourself,â until now heard only in a brief heart-stopping black-and-white clip in Matt Wolfâs documentary Wild Combination, awards us a new take with a driving funk rhythm and Russellâs extraordinary voice soaring at the height of its powers. On “Iowa Dream“, you can hear a country kid meeting the rest of the worldâand with this record, the world continues to meet a totally singular artist.
Audika Records