Moving Furniture Records
On this new Haarvöl‘s release the track titles were built as if they were a poem. It was a deliberate choice to preserve its unity, its whole. This is an album that refuses the fragmentary, but rather is made of fragments. Fragments of a whole. And that whole is the result of this kind of poetic metaphor that is embodied in its title.
May the approach to silence thus be an allegory of a time and reality that are ours and with which we want to interact intensely, even if we interfere in its most intimate moments, or in other words, its silences…
Indeed, Cage again, or memory as a device to nullify distance.