{"id":12503,"date":"2019-12-17T22:29:05","date_gmt":"2019-12-17T22:29:05","guid":{"rendered":"https:\/\/www.wasserbassin.com\/site\/?post_type=product&p=12503"},"modified":"2025-09-05T13:43:52","modified_gmt":"2025-09-05T12:43:52","slug":"jorge-ben-solta-o-pavao-lp","status":"publish","type":"product","link":"https:\/\/www.wasserbassin.com\/site\/product\/jorge-ben-solta-o-pavao-lp\/","title":{"rendered":"Jorge Ben – Solta O Pav\u00e3o – LP (Pink)"},"content":{"rendered":"
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A reissue of Jorge Ben<\/strong>‘s “Solta O Pav\u00e3o<\/strong>“, originally released in 1975. Jorge Ben<\/strong> is one of Brazilian music’s iconic and best-loved figures. Born Jorge Duilio Lima Menezes in Rio in 1942, he took the stage name, Jorge Ben<\/strong>, in deference to his mother’s Ethiopian roots, and later used Jorge Ben Jorge<\/strong> for further distinction. Playing tambourine and singing in a church choir from an early age, Ben<\/strong> began playing in Carnival blocos and was performing in nightclubs as a teen.<\/p>\n

Signed to Philips in 1963, his “Mais Que Nada” became an instant international sensation that has never waned, despite being sung entirely in Portuguese. Beginning in samba, Ben<\/strong>‘s openminded approach saw him embrace aspects of bossa nova, the “Jovem Guarda” rock movement of the mid-1960s and the experimental Tropicalia form, the broad palette and diverse influences yielding a number of adventurous and abstruse albums during the 1970s, of which “Solta O Pav\u00e3o<\/strong>” is one of the most rated by connoisseurs, though somewhat overlooked in general; its title translates roughly to “Unleash the Peacock” and apparently concerns the outward expression of inner beauty.<\/p>\n

Against a backdrop of lushly produced samba rock with shades of MPB, highlights include opener “Zagueiro”, in which Ben<\/strong> salutes football center-backs in typically playful and poetic language; closing number “Jesualda” is a heady ballad of a chance encounter leading to a girl’s social climbing and “Para Ouvir No Radio (Luciana)” a love song with striking flute and string arrangements; Dadi Flavi<\/strong>‘s bubbling bass and occasional string synths help keep the sound non-standard.<\/p>\n<\/div>\n

Survival Research
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Survival Research
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A reissue of Jorge Ben<\/strong>‘s “Solta O Pav\u00e3o<\/strong>“, originally released in 1975. Jorge Ben<\/strong> is one of Brazilian music’s iconic and best-loved figures. Born Jorge Duilio Lima Menezes in Rio in 1942, he took the stage name, Jorge Ben<\/strong>, in deference to his mother’s Ethiopian roots, and later used Jorge Ben Jorge<\/strong> for further distinction. Playing tambourine and singing in a church choir from an early age, Ben<\/strong> began playing in Carnival blocos and was performing in nightclubs as a teen.<\/p>\n

Beginning in samba, Ben<\/strong>‘s openminded approach saw him embrace aspects of bossa nova, the “Jovem Guarda” rock movement of the mid-1960s and the experimental Tropicalia form, the broad palette and diverse influences yielding a number of adventurous and abstruse albums during the 1970s, of which “Solta O Pav\u00e3o<\/strong>” is one of the most rated by connoisseurs, though somewhat overlooked in general; its title translates roughly to “Unleash the Peacock” and apparently concerns the outward expression of inner beauty.<\/p>\n

\u25ba CLICK HERE TO LISTEN<\/a><\/p>\n

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