{"id":12511,"date":"2019-12-17T22:51:14","date_gmt":"2019-12-17T22:51:14","guid":{"rendered":"https:\/\/www.wasserbassin.com\/site\/?post_type=product&p=12511"},"modified":"2022-06-09T18:24:26","modified_gmt":"2022-06-09T17:24:26","slug":"apryl-fool-apryl-fool-lp","status":"publish","type":"product","link":"https:\/\/www.wasserbassin.com\/site\/product\/apryl-fool-apryl-fool-lp\/","title":{"rendered":"Apryl Fool – Apryl Fool – LP"},"content":{"rendered":"
\n

Survival Research<\/strong> present a reissue of Apryl Fool<\/strong>‘s self-titled album, originally released in 1969. The story of Japanese psychedelic band Apryl Fool<\/strong> and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono<\/strong> first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra<\/strong>, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day”, recorded with Yuko Okuyama<\/strong> and released by King Records the year before. Drummer Takashi “Rei” Matsumoto<\/strong> was a Beatles<\/strong> maniac that had covered songs in his earlier group, Burns<\/strong>, while pioneering prog-rock keyboardist Hiroyoshi Yanagida<\/strong> and guitarists Chu Kosaka<\/strong> and Eiji Kikuchi<\/strong> had all been part of a group called The Floral<\/strong>, formed in 1967 through the Japanese wing of the official fan club of The Monkees<\/strong> (whom they supported during a Japanese tour enacted in October 1968).<\/p>\n

In September 1969, Apryl Fool<\/strong> played behind musical theater group, Tokyo Kid Brothers<\/strong>, the recording issued in minute quantity as the “Love & Banana” EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool<\/strong>‘s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time”, marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam”, with the employed English-sounding, fairly credible though, parts of the epic opus “The Last Mother Land”, featuring Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool<\/strong> announced their termination, giving this scarce release another level of legend for connoisseurs.<\/p>\n<\/div>\n

Survival Research
\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Survival Research
\n<\/strong><\/p>\n

\n

Survival Research<\/strong> present a reissue of Apryl Fool<\/strong>‘s self-titled album, originally released in 1969. The story of Japanese psychedelic band Apryl Fool<\/strong> and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono<\/strong> first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra<\/strong>.<\/p>\n

In September 1969, Apryl Fool<\/strong> played behind musical theater group, Tokyo Kid Brothers<\/strong>, the recording issued in minute quantity as the “Love & Banana” EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool<\/strong>‘s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time”, marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam”, with the employed English-sounding, fairly credible though, parts of the epic opus “The Last Mother Land”, featuring Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool<\/strong> announced their termination, giving this scarce release another level of legend for connoisseurs.<\/p>\n

\u25ba CLICK HERE TO LISTEN<\/a><\/p>\n

 <\/p>\n

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