{"id":21256,"date":"2026-01-18T14:43:18","date_gmt":"2026-01-18T14:43:18","guid":{"rendered":"https:\/\/www.wasserbassin.com\/site\/?post_type=product&#038;p=21256"},"modified":"2026-04-05T01:22:02","modified_gmt":"2026-04-05T00:22:02","slug":"jeff-parker-eta-ivtet-mondays-at-the-enfield-tennis-academy-2lp","status":"publish","type":"product","link":"https:\/\/www.wasserbassin.com\/site\/product\/jeff-parker-eta-ivtet-mondays-at-the-enfield-tennis-academy-2lp\/","title":{"rendered":"Jeff Parker ETA IVtet &#8211; Mondays At The Enfield Tennis Academy &#8211; 2LP"},"content":{"rendered":"<div>\n<div>&#8220;<strong>Mondays at The Enfield Tennis Academy<\/strong>&#8220;, 2LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist &amp; composer <strong>Jeff Parker<\/strong>&#8216;s ETA IVtet.\u00a0Recorded live at ETA (referencing David Foster Wallace), a bar in\u00a0LA\u2019s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist\u00a0Anna Butterss, &amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full &amp; exploratory music making.\u00a0Gleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 &amp; 2021\u00a0by <strong>Bryce Gonzales<\/strong>, &#8220;<strong>Mondays at The Enfield Tennis Academy<\/strong><em>&#8220;<\/em>\u00a0is a darkly glowing s\u00e9ance of an album, brimming over with\u00a0the hypnotic, the melodic, &amp; patience &amp; grace in its own beautiful strangeness. Room-tone, electric fields,\u00a0environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker&#8217;s first double album &amp; first live album,\u00a0&#8220;<strong>Mondays at The Enfield Tennis Academy<\/strong><em>&#8220;<\/em>\u00a0 belongs in the lineage of such canonical live double albums recorded on the West\u00a0Coast as <strong>Lee Morgan<\/strong>\u2019s\u00a0<em>Live at the Lighthouse<\/em>,\u00a0<strong>Miles Davis<\/strong>&#8216;\u00a0<em>In Person Friday &amp; Saturday Night at the Blackhawk, San\u00a0Francisco<\/em>\u00a0&amp;\u00a0<em>Black Beauty<\/em>, &amp; <strong>John Coltrane<\/strong>&#8216;s\u00a0<em>Live in Seattle<\/em>.<\/div>\n<div><\/div>\n<div>\n<div><strong>Aguirre Records<\/strong><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p><strong>Aguirre Records<\/strong><\/p>\n<hr \/>\n<p><span class=\"bcTruncateMore\"><br \/>\n&#8220;<strong>Mondays at The Enfield Tennis Academy<\/strong>&#8220;, 2LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist &amp; composer <strong>Jeff Parker<\/strong>&#8216;s ETA IVtet.\u00a0Recorded live at ETA (referencing David Foster Wallace), a bar in\u00a0LA\u2019s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist\u00a0Anna Butterss, &amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full &amp; exploratory music making.\u00a0Gleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 &amp; 2021\u00a0by <strong>Bryce Gonzales<\/strong>, &#8220;<strong>Mondays at The Enfield Tennis Academy<\/strong><em>&#8220;<\/em>\u00a0is a darkly glowing s\u00e9ance of an album, brimming over with\u00a0the hypnotic, the melodic, &amp; patience &amp; grace in its own beautiful strangeness. Room-tone, electric fields,\u00a0environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker&#8217;s first double album &amp; first live album,\u00a0&#8220;<strong>Mondays at The Enfield Tennis Academy<\/strong><em>&#8220;<\/em>\u00a0 belongs in the lineage of such canonical live double albums recorded on the West\u00a0Coast as <strong>Lee Morgan<\/strong>\u2019s\u00a0<em>Live at the Lighthouse<\/em>,\u00a0<strong>Miles Davis<\/strong>&#8216;\u00a0<em>In Person Friday &amp; Saturday Night at the Blackhawk, San\u00a0Francisco<\/em>\u00a0&amp;\u00a0<em>Black Beauty<\/em>, &amp; <strong>John Coltrane<\/strong>&#8216;s\u00a0<em>Live in Seattle<\/em>.<br \/>\n<\/span><\/p>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=v5CDhI-xOTU&amp;list=RDv5CDhI-xOTU&amp;start_radio=1&amp;t=206s\" target=\"_blank\" rel=\"noopener noreferrer\">\u25ba CLICK HERE TO LISTEN<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"featured_media":21257,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[],"product_tag":[2258,3236],"class_list":["post-21256","product","type-product","status-publish","has-post-thumbnail","product_tag-aguirre-records","product_tag-jeff-parker","product_shipping_class-lp","pa_artist-jeff-parker","pa_genre-experimental","pa_genre-improv","pa_genre-jazz","pa_label-aguirre-records","first","outofstock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/product\/21256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/comments?post=21256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/media\/21257"}],"wp:attachment":[{"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/media?parent=21256"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/product_brand?post=21256"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/product_cat?post=21256"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.wasserbassin.com\/site\/wp-json\/wp\/v2\/product_tag?post=21256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}