{"id":5261,"date":"2018-03-01T20:09:28","date_gmt":"2018-03-01T20:09:28","guid":{"rendered":"http:\/\/wasserbassin.com\/site\/?post_type=product&p=5261"},"modified":"2019-05-04T00:19:53","modified_gmt":"2019-05-03T23:19:53","slug":"v-a-pop-makossa-the-invasive-dance-beat-of-cameroon-1976%e2%80%8b-%e2%80%8b1984-2lp","status":"publish","type":"product","link":"https:\/\/www.wasserbassin.com\/site\/product\/v-a-pop-makossa-the-invasive-dance-beat-of-cameroon-1976%e2%80%8b-%e2%80%8b1984-2lp\/","title":{"rendered":"V\/A – Pop Makossa – The Invasive Dance Beat of Cameroon – 1976\u200b-\u200b1984 – 2LP"},"content":{"rendered":"

The Pop Makossa<\/strong> adventure started in 2009, when Analog Africa<\/strong> founder Samy Ben Redjeb first travelled to Cameroon to make an initial assessment of the country\u2019s musical situation. He returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the Makossa style popular throughout Cameroon.<\/p>\n

So why has it taken almost eight years from that first visit to the final compilation? From the very beginning, there were several mysteries hanging over Pop Makossa<\/strong>.<\/p>\n

What had happened to Bill Loko, the teenage super-star whose monster hit \u2018Nen Lambo\u2019 caused such a sensation that he was forced to flee to the other side of the world? How did bandleader Eko Roosevelt go from Cameroonian prodigy to chief of an idyllic seaside village? And who exactly was Mystic Djim, the dreadlocked producer and mercurial hit-maker whose wizardry on a simple home four-track recorder could outshine even the mighty studios of Cameroon\u2019s National Radio station?
\nIt was not until DJ and music producer D\u00e9ni Shain was dispatched to Cameroon to finalise the project, license the songs, scan photographs, and interview the artists that some of the biggest question marks began to disappear. His journey from the port city of Douala to the capital of Yaound\u00e9 brought him in contact with the lives and stories of many of the musicians who had shaped the sound of Cameroon\u2019s dance music in its most fertile decade.<\/span><\/p>\n

Indeed, all the tracks on Pop Makossa<\/strong> are a revelation. The beat that holds everything together has its origins in the rhythms of the Sawa people; Ambassey, Bolobo, Assiko and Essew\u00e9, a traditional funeral dance. But it wasn\u2019t until these rhythms arrived in the cities of Cameroon and collided with Merengue, High-Life, Congolese Rumba, and, later, Funk and Disco, that modern Makossa was born.<\/p>\n

Makossa, the beat that long before football, managed to unify the whole of Cameroon, was successful in part because it was so adaptable. Some of the greatest Makossa hits incorporated the electrifying guitars and tight grooves of funk, while others were laced with cosmic flourishes made possible by the advent of the synthesizer. However much came down to the bass; and from the rubbery hustle underpinning Mystic Djim\u2019s \u2018Yaound\u00e9 Girls\u2019 to the luminous liquid disco lines which propel Pasteur Lapp\u00e9\u2019s \u2018Sekele Movement\u2019, Pop Makossa demonstrates why Cameroonian bass players are some of the most revered in the world.
\nYet at the end of it all, there was still one final mystery facing the production team at Analog Africa<\/strong>: how was this compilation of amazing sounds from Cameroon going to begin?<\/p>\n

After many month and hundreds of different running orders, something still didn\u2019t seem to click… until one day they came across a mighty song entitled “Pop Makossa Invasion”, recorded for Radio Buea, a tune so obscure that even in Cameroon it had never been released. Suddenly the whole compilation fell into place. “Pop Makossa Invasion” makes its debut here and joins the pantheon of extraordinary songs that plugged Cameroon\u2019s Makossa style into the modern world.<\/p>\n

Analog Africa<\/strong><\/p>\n

\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Analog Africa<\/strong><\/p>\n

\n

Indeed, all the tracks on Pop Makossa<\/strong> are a revelation. The beat that holds everything together has its origins in the rhythms of the Sawa people; Ambassey, Bolobo, Assiko and Essew\u00e9, a traditional funeral dance. But it wasn\u2019t until these rhythms arrived in the cities of Cameroon and collided with Merengue, High-Life, Congolese Rumba, and, later, Funk and Disco, that modern Makossa was born. <\/span><\/p>\n

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