For a good number of Spanish musicians, attracting attention from somewhere outside of Madrid was a mission impossible for several decades. While the Movida Madrile\u00f1a, commonly referred to as the \u201cMadrid scene\u201d in English, stirred things up and made front page news on the basis of new wave music, musicians that were on the fringe or directly beyond it had few platforms from which to be heard.<\/p>\n
Although Javier Segura<\/strong> has been recording music in his studio almost continuously since the 70’s, his relevance and recognition as a musician has been limited to underground music circles. The fact that he worked outside of the country’s spotlight of power kept his name relatively unknown for years, something which even the arrival of the internet could not illuminate. Only the appreciation of a few collectors and disc jockeys kept the light on.<\/p>\n Passat Continu<\/strong> delivers here the first ever compilation,“El Sol Desde Oriente<\/strong>“<\/span>, by the spanish musician Javier Segura<\/strong> (born 1955), who worked as an isolated cell from his home studio in San Crist\u00f3bal de La Laguna, in the Canary Islands.<\/p>\n Working for decades from the underground, Segura<\/strong> build up some brilliant ideas producing dozens of richly textured songs, stretching borders on ambient, experimental rock, dreamy folk or concrete music. Using guitars, rhythm boxes, trumpets, synths or simply pedals, Segura<\/strong> managed his own career and produced while published a handful of albums by himself: El ser y el tiempo (1976), No mires atr\u00e1s (1983), Nostalgia de lo humano (1986), Lamento bereber (1989), El \u00e1ngel ca\u00eddo vol I, la lluvia azul (2004), Lev\u00e1ntate (2005) and El orden y el caos (2006). He also teamed up with Juan Belda on only impro project Arte Moderno (1981-1982), using the Roland TR-808 rhythm box as a main actor for the first time in the post-Franco\u2019s Spain era. “El Sol Desde Oriente<\/strong>” uses three of that songs and add six more previously unreleased productions from 1980 to 1990, probably his most active period of time. Passat Continu Passat Continu Passat Continu<\/strong> delivers here the first ever compilation,“El Sol Desde Oriente<\/strong>“<\/span>, by the spanish musician Javier Segura<\/strong> (born 1955), who worked as an isolated cell from his home studio in San Crist\u00f3bal de La Laguna, in the Canary Islands.<\/p>\n Working for decades from the underground, Segura<\/strong> build up some brilliant ideas producing dozens of richly textured songs, stretching borders on ambient, experimental rock, dreamy folk or concrete music. Using guitars, rhythm boxes, trumpets, synths or simply pedals, Segura<\/strong> managed his own career and produced while published a handful of albums by himself: El ser y el tiempo (1976), No mires atr\u00e1s (1983), Nostalgia de lo humano (1986), Lamento bereber (1989), El \u00e1ngel ca\u00eddo vol I, la lluvia azul (2004), Lev\u00e1ntate (2005) and El orden y el caos (2006). He also teamed up with Juan Belda on only impro project Arte Moderno (1981-1982), using the Roland TR-808 rhythm box as a main actor for the first time in the post-Franco\u2019s Spain era.
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