{"id":6001,"date":"2019-01-08T03:41:19","date_gmt":"2019-01-08T03:41:19","guid":{"rendered":"http:\/\/wasserbassin.com\/site\/?post_type=product&p=6001"},"modified":"2024-12-26T18:07:37","modified_gmt":"2024-12-26T18:07:37","slug":"tom-ze-grande-liquidacao-lp","status":"publish","type":"product","link":"https:\/\/www.wasserbassin.com\/site\/product\/tom-ze-grande-liquidacao-lp\/","title":{"rendered":"Tom Z\u00e9 – Grande Liquida\u00e7\u00e3o – LP"},"content":{"rendered":"
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His first, and arguably best album from the great Rozenblit<\/strong> catalogue lovingly restored in its original format on limited LP and CD, re-mastered from the original Rozenblit<\/strong> master tapes.<\/p>\n

In 1968 Tom Z\u00e9<\/strong>; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement, Z\u00e9<\/strong> was so independent he was determined to forge his own musical path. He started by recording “Grande Liquida\u00e7\u00e3o<\/strong>“, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Braz\u00f5es and Os Vers\u00e1teis.<\/p>\n

Tom Z\u00e9<\/strong>‘s material on this album includes traditional Brazilian Tropicalia laced with crazy vocal melodies and samples a multitude of genres from funk to psychedelic rock and bossa nova creating in the process a sort of unheard pop exotica. This is especially apparent on the track \u201cGloria\u201d with its changing tempos, bubbling instrumentation and off-the-wall harmonies. The pace of the album, considering it was the 60\u2019s, is brutal so Z\u00e9<\/strong> takes a break between songs to address the listener before resuming his zigzag trajectory. The album also includes the fantastic \u201cParque Industrial\u201d which was later recorded by Gal Costa, Gilberto Gil and Caetano Veloso on the Tropicalia: “Panis et Circenses” album.<\/p>\n

Tom Z\u00e9<\/strong> was also arguably the creator of the first sampler. In the mid 1980’s David Byrne pulled one of his albums out of the samba section of a Rio de Janeiro record store which led him to bringing Z\u00e9<\/strong> to worldwide attention by releasing numerous albums on the Luaka Bop label.<\/p>\n

Mr. Bongo\/Rozenblit<\/span>
\n<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Mr. Bongo\/Rozenblit
\n<\/strong><\/p>\n

\n
\n
\n

His first, and arguably best album from the great Rozenblit<\/strong> catalogue lovingly restored in its original format on limited LP and CD, re-mastered from the original Rozenblit<\/strong> master tapes.<\/p>\n

In 1968 Tom Z\u00e9<\/strong>; moved from Salvador Bahia to Sao Paulo where he hung out and wrote with his friends Gilberto Gil and Caetano Veloso. Although initially part of theTropicalia movement, Z\u00e9<\/strong> was so independent he was determined to forge his own musical path. He started by recording “Grande Liquida\u00e7\u00e3o<\/strong>“, a hyperactive pop album backed up by two incredible psychedelic rockbands: Os Braz\u00f5es and Os Vers\u00e1teis.<\/p>\n

Tom Z\u00e9<\/strong>‘s material on this album includes traditional Brazilian Tropicalia laced with crazy vocal melodies and samples a multitude of genres from funk to psychedelic rock and bossa nova creating in the process a sort of unheard pop exotica. This is especially apparent on the track \u201cGloria\u201d with its changing tempos, bubbling instrumentation and off-the-wall harmonies. The pace of the album, considering it was the 60\u2019s, is brutal so Z\u00e9<\/strong> takes a break between songs to address the listener before resuming his zigzag trajectory. The album also includes the fantastic \u201cParque Industrial\u201d which was later recorded by Gal Costa, Gilberto Gil and Caetano Veloso on the Tropicalia: “Panis et Circenses” album.<\/p>\n<\/div>\n<\/div>\n

\u25ba CLICK HERE TO LISTEN<\/a><\/p>\n

 <\/p>\n

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